Designer Yamamoto Teruji: People Who Hide Bombs In Clothes

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< p > Yamamoto Teruji once described herself as a "hidden bomb" in a target= "_blank" href= "//www.sjfzxm.com/" > dress < /a >. This kind of child like mischief and playfulness is used as a weapon against this world which can not be recognized.

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< p > for all the designers and fashions, Yamamoto Teruji represents more than just a name.

At that time, Yamamoto Teruji was brave enough to break through the tradition in the western traditional tight dress. When she used the kimono concept as the starting point, the female curves were covered by neutral a target= "_blank" href= "http:// www.sjfzxm.com/" > clothing /a, creating a new Japanese wave of fashion.

He is good at using "a target=" _blank "href=" //www.sjfzxm.com/ "> cloth > /a" and all kinds of black, so that the traditional, narrow use of black, from the funeral like impression, has become the embodiment of fashion.

He and Wakubo Rei and Lssey Miyake are the few Asian a target= "_blank" href= "//www.sjfzxm.com/" designers who are able to take a firm position in the high fashion industry.

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P has been in the fashion circle for decades. No matter how the world trend has changed, Yamamoto Teruji has never given up on himself. This single autobiography is divided into two parts. In the first part, Yamamoto Teruji traced back to his childless childhood and was born in the post-war single parent family. He did not shy away from the influence of his mother's professional woman status. He believed that the most sexy moment of women is the present work.

And so he hated all the women who dress up for men, hate to let women wear like dolls, become a vassal, and even think that women should wear men's < a target= "_blank" href= "//www.sjfzxm.com/" > dress "/a".

In addition, the first part also talks about the sudden marriage and children in middle and later years. He talked about the past between women, and did not hide men's psychology.

For readers to uncover the mysterious side of his private life.

The second part talks more about the nature of creation.

In this chapter, Yamamoto Teruji mentioned how to listen to the sound of cloth, let the cloth show the most natural pendant, and how to determine the correct position of buttons, and the way of shaping collar and clothing.

Interestingly, Yamamoto Teruji referred to the subtle relationship between designer and print master: he did not describe his own ideas to the print master, and prevented the printer from losing the space of change in order to match the designer.

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< p > on design, Yamamoto Teruji said: musicians may claim: "music is sensual."

But in order to be recognized by the public, he must spend years or even decades of training before becoming famous.

A target= "_blank" href= "//www.sjfzxm.com/" > Fashion Designer < /a > also has to absorb basic skills before he makes his own things.

In the final analysis, even a dog needs training.

Solid foundation training is indispensable before an artist who has become an ambitious artist.

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< p > about women, Yamamoto Teruji said: Unfortunately, for those women who are good at using sex glamour, I can't feel any sexual attraction.

I feel sick.

But when I see a working woman, I will be aware of a strong sexual excitement: her back, when she trample on the sewing machine hard, or her side, when she has no intention of putting the needle on the clothes.

At this time, I was not only in the sense of reverence, but also thought to help the women who were living and working hard in the society.

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< p > about men, Yamamoto Teruji said, "I like to provoke or irritate men who are not cool or fashionable, but I do not care much about them."

On the contrary, I will take advantage of all the psychological tricks that our useless people will unconsciously appreciate.

Although women think it's not worth it, men just like gambling and games.

I took advantage of this part of man's nature and paid attention to the details of clothes, such as holes and pockets.

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< p > about family, Yamamoto Teruji said: as long as the children have had a very lovely time, it made up for their parents' lifelong worries.

I am determined to make my child happy. What I want most is that my child will never have to ask, "where is dad?" I was overwhelmed by the power of this emotion, which is uncontrollable and rooted in the deepest feelings of the world.

Although the child was forced to conceive, he had a part of me.

The child lived in his childhood.

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